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Julie Gilbert and Frédéric Choffat’s film presents an individual whose nationality and origins are not disclosed. He is seen in a bus, and seems to be closed in on himself. The camera and soundtrack suggest that he has suffered physical or verbal violence at some point in his life, but we do not know where this took place or for what reasons. He leaves his nightmarish thoughts and gets off the bus. We can imagine that the directors of this film wished to show us that we know nothing of the past of another person, nothing of his memories and the traumas he has perhaps endured.
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